There has been an enormous revival of interest in Commedia dell'arte.
And it remians a central part of many drama school courses. In Commedia
dell'arte in the Twentieth Century John Rublin first examines the
orgins of this vital theatrical form and charts its recent revival
through the work of companies like Tag, Theatre de Complicite and the
influential methods of Jacques Lecoq. The second part of the book
provides a unique practical guide for would-be practitioners:
demonstrating how to approach the roles of Zanni, Arlecchion, Brighella,
Pantalone, Dottore, and the Lovers in terms of movement, mask-work and
voice. As well as offering a range of lazzi or comic business,
improvisation exercises, sample monologues, and dialogues. No other book
so clearly outlines the specific culture of Commedia or provides such a
practical guide to its techniques. This immensely timely and useful
handbook will be an essential purchase for all actors, students, and
teachers