This study offers a critical reading of Ian McEwan's novels by placing
them in the discourse on postmodernity and ethics. Starting from the
assumption that as human beings we have a fundamental need for ethical
orientation which is of particular importance in a postmodern world
characterised by contingency and change, this study investigates how the
themes of crisis and reorientation are negotiated in McEwan's novels.
Acknowledging the central role of alterity in these novels, the study
draws its theoretical framework largely from ethicists in the Levinasian
tradition who, rather than arguing for normative codes of behaviour or
notions of virtue, understand ethics in terms of the interactive
encounters between individuals. This study therefore aims to contribute
not only to the growing body of scholarship on Ian McEwan and, to a
certain extent, to reorient our understanding of his writing, but also
to take part in the ongoing debate about the relationship between
literature and ethics.