Poet and scholar Susan Gevirtz's new book Coming Events (Collected
Writings) undertakes the search for what she calls a third apprehension,
via questions concerning childhood learning; the vexed subject of
discursive writing; film as writing's cousin; becoming a voyeur of
translation; and a woman writer among women writers, who offer support,
dialogue, and challenge. In this remarkable hybrid work, Gevirtz steps
outside formal constraints to interrogate structures of making and
meaning in the conduct of the writer in writing.