Despite the boom in scholarship in both Comics Studies and Memory
Studies, the two fields rarely interact--especially with issues beyond
the representation of traumatic and autobiographical memories in comics.
With a focus on the roles played by styles and archives--in their
physical and metaphorical manifestations--this edited volume offers an
original intervention, highlighting several novel ways of thinking about
comics and memory as comics memory. Bringing together scholars as well
as cultural actors, the contributions combine studies on European and
North American comics and offer a representative overview of the main
comics genres and forms, including superheroes, Westerns, newspaper
comics, diary comics, comics reportage and alternative comics. In
considering the many manifestations of memory in comics as well as the
functioning and influence of institutions, public and private practices,
the book exemplifies new possibilities for understanding the complex
entanglements of memory and comics.