Come On Everybody brings together poems from a dozen collections
published by Adrian Mitchell over five decades, from Poems (1964) to his
final collection, Tell Me Lies (2008). His poetry's simplicity, clarity,
passion and humour show his allegiance to a vital, popular tradition
embracing William Blake as well as the ballads and the blues. His most
nakedly political poems - about war, Vietnam, prisons and racism -
became part of the folklore of the Left, sung and recited at
demonstrations and mass rallies. His childlike questioning was a
constant reminder from the 60s onwards that poetry is first and foremost
an assertion of the human spirit. A pacifist prophet who remained true
to his heartfelt beliefs, Mitchell reported back for over half a century
from a world blighted by war, compromise, double-talk and pragmatism
without losing his innocence, integrity and impish sense of humour.
Angela Carter described him as a 'joyous, acrid and demotic tumbling
lyricist Pied Piper determinedly singing us away from catastrophe'.