Colouring the Caribbean offers the first comprehensive study of Agostino
Brunias's intriguing pictures of colonial West Indians of colour - so
called 'Red' and 'Black' Caribs, dark-skinned Africans and Afro-Creoles,
and people of mixed race - made for colonial officials and plantocratic
elites during the late-eighteenth century. Although Brunias's paintings
have often been understood as straightforward documents of visual
ethnography that functioned as field guides for reading race, this book
investigates how the images both reflected and refracted ideas about
race commonly held by eighteenth-century Britons, helping to construct
racial categories while simultaneously exposing their constructedness
and underscoring their contradictions. The book offers provocative new
insights about Brunias's work gleaned from a broad survey of his
paintings, many of which are reproduced here for the first time.