This book addresses the place of women writers in anthologies and other
literary collections in eighteenth-century England. It explores and
contextualizes the ways in which two different kinds of printed
material--poetic miscellanies and biographical collections--complemented
one another in defining expectations about the woman writer. Far more
than the single-authored text, it was the collection in one form or
another that invested poems and their authors with authority. By
attending to this fascinating cultural context, Chantel Lavoie explores
how women poets were placed posthumously in the world of
eighteenth-century English letters. Investigating the lives and works of
four well-known poets--Katherine Philips, Aphra Behn, Anne Finch, and
Elizabeth Rowe--Lavoie illuminates the ways in which celebrated women
were collected alongside their poetry, the effect of collocation on
individual reputations, and the intersection between bibliography and
biography as female poets themselves became curiosities. In so doing,
Collecting Women contributes to the understanding of the intersection
of cultural history, canon formation, and literary collecting in
eighteenth-century England.