The experimental prose written by Urmuz, the pseudonym of Dem.
Demetrescu-Buzău (1883- 1923), represents a model for the Romanian
avant-garde movement, anticipating not only the Surrealists'
iconoclastic fervor in blowing up all sorts of stereotypes, but also
some of the main features of the so called absurd theater created by
Eugéne Ionesco. Like Ionesco, Urmuz has the propensity towards
dissimulating - behind an elaborate network of absurd associations and
fantastic scenarios - the tragic consciousness of humans' limited
existence and of language's limited powers. A look at the literature
written by Urmuz proves that the reverse side of the humorous mode and
of the ironic enunciation is the anxiety provoked by the unbearable
responsibility of living.