The two volumes of Peter Finch's Collected Poems chart the course of a
remarkable writing career. After reading Allen Ginsberg's Howl as a
young man Finch was inspired to become a poet, found the Second Aeon
magazine and publishing house, and become a poetry entrepreneur,
bringing to all these things an unquenchable vitality which set him
apart in contemporary poetry.
This second volume includes poems from the 'second half' of Finch's
career, in which his poems also appeared in his prose books, and in
public places on sculptures and buildings particularly in his native
Cardiff. Yet still the poems continued to 'operate at the far edges of
what poetry is understood to be'. Although the poetry landscape of
Britain has changed since Finch's first published poem in 1968, his
desire to experiment, to question what constitutes a poem, and to
challenge orthodoxy has remained both undiminished and relevant.
The Collected Poems is also a restless exploration of the ideas behind
the poems. It is a testament to the experimental in literature, to ways
of doing it differently, and to an alternative modernist culture in
Wales and Britain. Consequently, invaluably, they also open a window on
a poetry scene seemingly lost from view to the twenty-first century.
They remind us that there was interesting and vital writing happening
outside of what has now calcified into the canon of twentieth century
British poetry. And that Finch was at its cutting edge with poets like
Bob Cobbing and Henri Chopin Paul.
Editor Andrew Taylor has included an informative Introduction, a
timeline of Finch's artistic activity, and helpful notes. The book is
completed by poet Ian McMillan's perceptive Foreword.
