In assembling the work of forty years, Longley's Collected Poems
displays a brilliantly sustained achievement, whose depth, beauty, and
wit can now be fully appreciated. Longley's poetry combines intense
concentration with remarkable variety. The formal and thematic range
laid down in No Continuing City (1969) has undergone a series of rich
metamorphoses up to Snow Water (2004), and the two new poems included
here as an epilogue. Longley's genres span love poetry, war poetry,
nature poetry, elegies, satires, verse epistles, poems that reflect on
art and the art of poetry. He has extended the capacity of the lyric to
absorb dark matter: the Great War, the Holocaust, the Northern Irish
Troubles. His poetic landscape intermingles Belfast (where he lives),
western Ireland, Italy, Japan and Homeric Greece. Longley's superb
translations from classical poets (such as "Ceasefire," which greets the
IRA ceasefire in terms of The Iliad) speak to contemporary issues while
activating the deepest sources of European poetry.