Ciaran Carson's Collected Poems gathers work from eight collections.
From the formal and thematic traditions of his earlierst work, The New
Estate (1976), the energetic long lines of The Irish for No (1987) and
Belfast Confetti (1989), to the formal adroitness of Opera Et Cetera
(1996), The Alexandrine Plan (1998) and The Twelfth of Never (1998),
Carson has shown himself to be an extraordinarily adaptable poet. In
Breaking News (2003), this master of the long line employs two- and
three-syllable lines to alter the tempo, the time of his narrative, and
the distinction between separate wars and eras. Carson's 2008 volume For
All We Know is a pas de deux of personal attraction and betrayal set
against the memories of the Troubles as well as against other previous
historical events (the 60s in Paris, the Second World War). It seems
that with each volume Carson invents anew the very ground from which his
poetry springs. Collected Poems ensures the poet's place at the cutting
edge of contemporary art.