Coleridge's Dejection Ode completes J.C.C. Mays' analysis of
Coleridge's poetry, following Coleridge's Ancient Mariner (Palgrave
2016) and Coleridge's Experimental Poetics (Palgrave 2013).
"Dejection: An Ode" stands alone in Coleridge's oeuvre: written at a
time of personal crisis, it reaches far back and deeply into his
thinking in an attempt to find a poematic solution to ideas and problems
he had mulled over for a long time. Mays reveals how the poem also marks
the opening of the second half of Coleridge's career as both poet and
thinker. In three central chapters Mays examines the new style that
evolved in the process of writing the Ode: the technical means of
metrics, rhyme and grammar; language and allusion; and symbol and
structure. He recounts the complex, sometimes controversial critical
history of the Ode, and suggests an editorial solution to the problem
created by the Letter to Sara Hutchinson; re-evaluates the position of
Wordsworth in the poem apropos the political statement it makes;
clarifies the distinction between the views on Imagination expressed and
those contained in Biographia Literaria; and traces the links of the
concept "dejection" as it underpins Coleridge's late poems.