Spanning eras, continents, and genres, CoDex 1962--twenty years in
the making--is Sjón's epic three-part masterpiece
Over the course of four dazzling novels translated into dozens of
languages, Sjón has earned a global reputation as one of the world's
most interesting writers. But what the world has never been able to read
is his great trilogy of novels, known collectively as CoDex 1962--now
finally complete.
Josef Löwe, the narrator, was born in 1962--the same year, the same
moment even, as Sjón. Josef's story, however, stretches back decades in
the form of Leo Löwe--a Jewish fugitive during World War II who has an
affair with a maid in a German inn; together, they form a baby from a
piece of clay. If the first volume is a love story, the second is a
crime story: Löwe arrives in Iceland with the clay-baby inside a hatbox,
only to be embroiled in a murder mystery--but by the end of the volume,
his clay son has come to life. And in the final volume, set in
present-day Reykjavík, Josef's story becomes science fiction as he
crosses paths with the outlandish CEO of a biotech company (based
closely on reality) who brings the story of genetics and genesis full
circle. But the future, according to Sjón, is not so dark as it seems.
In CoDex 1962, Sjón has woven ancient and modern material and folklore
and cosmic myths into a singular masterpiece--encompassing genre
fiction, theology, expressionist film, comic strips, fortean studies,
genetics, and, of course, the rich tradition of Icelandic storytelling.
