Coal Boy, is a human fiction that builds on the premise: love is
universal; so is racism--the same mold as Colson Whitehead, James
Hannaham, and Robert Dugoni. Geocultural attributes set my story apart
from their works. The United States of America stages their stories,
where Black Americans and slavery have long been one of the major human
rights issues intensely debated in sociopolitical arenas. My story
focuses on people of mixed racial heritage: namely, Black-Japanese--the
children of Black Americans and Japanese women born in Japan during the
post-World War II Occupation.