What actors do on-screen is a fascination for audiences all over the
world. Indeed, the cultural visibility of movie stars is so pronounced
that stardom has often been regarded as intrinsic to the medium's
specificity. Yet not all great cinematic performances are star turns,
and so, what really makes a cinematic performance good, interesting, or
important has been a neglected topic in film criticism. This two-volume
set presents detailed interpretations of singular performances by
several of the most compelling actors in cinema history, asking in many
different and complementary ways what makes performance meaningful, how
it reflects a director's style, as well as how it contributes to the
development of national cinemas and cultures. Whether noting the precise
ways actors shape film narrative, achieve emotional effect, or move
toward political subversion, the essays in these books innovate new
approaches to studying screen performance as an art form and cultural
force.
This second volume focuses on international cinema, and includes case
studies of key performances from actors like Ingrid Bergman, Gael Garcia
Bernal, Nikolai Cherkassov, Alec Guinness, Setsuko Hara, Isabelle
Huppert, Peter Lorre, Madhubala, Anna Magnani, Toshirô Mifune, and Choi
Min Sik, amongst many others.