What actors do on-screen is a fascination for audiences all over the
world. Indeed, the cultural visibility of movie stars is so pronounced
that stardom has often been regarded as intrinsic to the medium's
specificity. Yet not all great cinematic performances are star turns,
and so, what really makes a cinematic performance good, interesting, or
important has been a neglected topic in film criticism. This two-volume
set presents detailed interpretations of singular performances by
several of the most compelling actors in cinema history, asking in many
different and complementary ways what makes performance meaningful, how
it reflects a director's style, as well as how it contributes to the
development of national cinemas and cultures. Whether noting the precise
ways actors shape film narrative, achieve emotional effect, or move
toward political subversion, the essays in these books innovate new
approaches to studying screen performance as an art form and cultural
force.
This volume focuses on American cinema, including case studies of key
performances from actors like Bette Davis, Irene Dunne, Whoopi Goldberg,
Cary Grant, Oscar Isaac, Jack Nicholson, Al Pacino, Sidney Poitier, Gena
Rowlands, Peter Sellers, Kristen Stewart, and Ethel Waters, amongst many
others.