Jez Butterworth is undoubtedly one of the most popular and commercially
successful playwrights to have emerged in Britain in the early
twenty-first century. This book, only the second so far to have been
written on him, argues that the power of his most acclaimed work comes
from a reinvigoration of traditional forms of tragedy expressed in a
theatricalized working-class language. Butterworth's most developed
tragedies invoke myth and legend as a figurative resistance to the flat
and crushing instrumentalism of contemporary British political and
economic culture. In doing so they summon older, resonant narratives
which are both popular and high-cultural in order to address present
cultural crises in a language and in a form which possess wide appeal.
Tracing the development of Butterworth's work chronologically from
Mojo (1995) to The Ferryman (2017), each chapter offers detailed
critical readings of a single play, exploring how myth and legend become
significant in a variety of ways to Butterworth's presentation of
cultural and personal crisis.