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Cinematic Independence traces the emergence, demise, and rebirth of
big-screen film exhibition in Nigeria. Film companies flocked to Nigeria
in the years following independence, beginning a long history of
interventions by Hollywood and corporate America. The 1980s and 1990s
saw a shuttering of cinemas, which were almost entirely replaced by
television and direct-to-video movies. However, after 1999, the
exhibition sector was revitalized with the construction of multiplexes.
Cinematic Independence is about the periods that straddle this
disappearing act: the immediate decades bracketing independence in
1960*,* and the years after 1999*.* At stake is the Nigerian
postcolony's role in global debates about the future of the movie
theater. That it was eventually resurrected in the flashy form of the
multiplex is not simply an achievement of commercial real estate, but
also a testament to cinema's persistence--its capacity to stave off
annihilation or, in this case, come back from the dead*.*