From their very inception, European cinemas undertook collaborative
ventures in an attempt to cultivate a transnational "Film-Europe." In
the postwar era, it was DEFA, the state cinema of East Germany, that
emerged as a key site for cooperative practices. Despite the significant
challenges that the Cold War created for collaboration, DEFA sought
international prestige through various initiatives. These ranged from
film exchange in occupied Germany to partnerships with Western
producers, and from coproductions with Eastern European studios to
strategies for film co-authorship. Uniquely positioned between East and
West, DEFA proved a crucial mediator among European cinemas during a
period of profound political division.