In Traps, a set of characters meet themselves and their pasts to create
"plenty of sinewy lines and joyous juxtapostions" (Plays and Players);
Vinegar Tom "is set in the world of seventeenth-century witchcraft, but
it speaks, through its striking images and its plethora of ironic
contradictions, of and to this century..." (Tribune); Light Shining in
Buckinghamshire is set during the Civil War and "unflinchingly shows the
intolerance that was the obverse side of the demand for common justice.
Deftly, it sketches in the kind of social conditions.. that led to
hunger for revolution...The play has an austere eloquence that precisely
matches its subject." (The Guardian) Cloud Nine sheds light on some of
the British Empire's repressed dark side and is "a marvelous play -
sometimes scurrilous, always observed with wicked accuracy, and
ultimately, surprisingly, rather moving. It plunges straight to the
heart of the endless convolutions of sexual mores...and does so with
acrobatic wit." (Guardian) Owners: "I was in an old woman's flat when a
young man offering her money to move came round, that was one of the
starting points of the play" (Caryl Churchill).
The plays in this volume represent the best of Churchill's writing up to
and including her emergence onto the international theatre scene with
Cloud Nine.