In eleven feature films across two decades, Christian Petzold has
established himself as the most critically celebrated director in
contemporary Germany. The best-known and most influential member of the
Berlin School, Petzold's career reflects the trajectory of German film
from 1970s New German Cinema to more popular fare in the 1990s and back
again to critically engaged and politically committed filmmaking.
In the first book-length study on Petzold in English, Jaimey Fisher
frames Petzold's cinema at the intersection of international art cinema
and sophisticated genre cinema. This approach places his work in the
context of global cinema and invites comparisons to the work of
directors like Pedro Almodovar and Rainer Werner Fassbinder, who
repeatedly deploy and reconfigure genre cinema to their own ends. These
generic aspects constitute a cosmopolitan gesture in Petzold's work as
he interprets and elaborates on cult genre films and popular genres,
including horror, film noir, and melodrama. Fisher explores these
popular genres while injecting them with themes like terrorism,
globalization, and immigration, central issues for European art cinema.
The volume also includes an extended original interview with the
director about his work.