Postcolonial modernism has often posed a serious threat to the survival
and development of folkdance among the various ethnic groups in Nigeria
and indeed Africa. Therefore, there is a dire need to study, analyse and
document the various African dances in their content and context to
preserve them for posterity. Hence, this research was carried out to
identify, study, analyse and document the choreographic patterns in the
"Asawogidigba" and "Biripo" dances of the Ilajes, in Ondo State,
Nigeria. Using "Taught Participant Observatory Method" of data
collections coupled with interviews where necessary and secondary
sources of enquiry, it was observed that the aquatic environment of the
people has great influence on the lives, design patterns and creative
intuition of the people. It emphasized the urgent need for an eclectic
national choreographic model for Nigeria based on her numerous unique
folk dance cultures. Hence, this is a resource book to students,
academicians, theatre sociologists, dance practitioners, historians,
anthropologists, ethnomusicologists, television and stage producers,
actors and directors, choreographers and dance notation experts, policy
makers etc.