This research book is the first of its kind to conduct an
interdisciplinary research on the recent and dramatic developments in
China's music industries with a particular focus on business models,
copyright protection, and artist compensation. The monograph explores
and discusses proper business models through which revenue can be
generated and maintained in a changing copyright climate and
transforming business environment. It also discusses how musicians can
be fairly compensated in the online platform economy informed by social
entrepreneurship. This book is distinctive in the sense that it explores
the intersection of cultural and creative industries, legal studies,
business studies, and new media. It uses a qualitative and mixed-method
approach to study business innovations and institutions in the making in
the second largest economy which is also gaining cultural and political
significance around the world.