In the wake of intense globalisation and commercialisation in the 1990s,
China saw the emergence of a vibrant popular culture. Drawing on sixteen
years of research, Jeroen de Kloet explores the popular music industry
in Beijing, Hong Kong and Shanghai, providing a fascinating history of
its emergence and extensive audience analysis, while also exploring the
effect of censorship on the music scene in China.
China with a Cut pays particular attention to the dakou culture: so
named after a cut nicked into the edge to render them unsellable, these
illegally imported Western CDs still play most of the tracks. They also
played a crucial role in the emergence of the new music and youth
culture. De Kloet's impressive study demonstrates how the young Chinese
cope with the rapid economic and social changes in a period of intense
globalisation, and offers a unique insight into the socio-cultural and
political transformations of a rising global power.