Charles Ives Reconsidered reexamines a number of critical assumptions
about the life and works of this significant American composer, drawing
on many new sources to explore Ives's creative activities within broader
historical, social, cultural, and musical perspectives. Gayle Sherwood
Magee offers the first large-scale rethinking of Ives's musical
development based on the controversial revised chronology of his music.
Using as a guide Ives's own dictum that "the fabric of existence weaves
itself whole," Charles Ives Reconsidered offers several new paths to
understanding all of Ives's music as the integrated and cohesive work of
a controversial composer who was very much a product of his time and
place. Magee portrays Ives's life, career and posthumous legacy against
the backdrop of his musical and social environments from the Gilded Age
to the present. The book includes contemporary portraits of the
composer, his peers, and his teachers, as seen through archival
materials, published reviews, and both historical and modern critical
assessments.