Haunted, dreamlike scenes define the fictional world of Charles Brockden
Brown, America's first professional novelist. Published in the final
years of the 18th century, Brown's startlingly prophetic novels are a
virtual resume of themes that would constantly recur in American
literature: madness and murder, suicide and religious obsession, the
seduction of innocence and the dangers of wilderness and settlement
alike. In "Three Gothic Novels," The Library of America collects the
most significant of Brown's works. "Wieland; or The Transformation"
(1798), his novel of a religious fanatic preyed upon by a sinister
ventriloquist, is often considered his masterpiece. A relentlessly dark
exploration of guilt, deception, and compulsion, it creates a sustained
mood of irrational terror in the midst of the Pennsylvania countryside.
In "Arthur Mervyn; or Memoirs of the Year 1793" (1799), Brown draws on
his own experiences to create indelible scenes of Philadelphia
devastated by a yellow fever epidemic, while telling the story of a
young man caught in the snares of a professional swindler. "Edgar
Huntly; or Memoirs of a Sleep-Walker" (1799) fuses traditional Gothic
themes with motifs drawn from the American wilderness in a series of
eerily unreal adventures that test the limits of the protagonist's
self-knowledge. All three novels reveal Brown as the pioneer of a major
vein of American writing, a novelist whose literary progeny encompasses
Poe, Hawthorne, Faulkner, and the whole tradition of horror and noir
from Cornell Woolrich to Stephen King.