It is commonly recognized that the Cedars of Lebanon were prized in the
ancient world, but how can the complex archaeological role of the Cedrus
genus be articulated in terms that go beyond its interactions with
humans alone? And to what extent can ancient ships and boats made of
this material demonstrate such intimate relations with wood? Drawing
from object-oriented ontologies and other 'new materialisms, ' Cedar
Forests, Cedar Ships constructs a hylocentric anti-narrative spreading
from the Cretaceous to the contemporary. With a dual focus on the woods
and the watercraft, and on the considerable historical overlap between
them, the book takes another step in the direction of challenging the
conceptual binaries of nature/culture and subject/object, while
providing an up-to-date synthesis of the relevant archaeological and
historical data. Binding physical properties and metaphorical
manifestations, the fluctuating presence of cedar (forests, trees, and
wood) in religious thought is interpreted as having had a direct bearing
on shipbuilding in the ancient East Mediterranean. Close and diachronic
excavations of the interstices of allure, lore, and metaphor can begin
to navigate the (meta) physical relationships between the forested
mountain and the forest afloat, and their myriad unique realities