Associative, sensuous, and unstable, Caviar explores the line between
decadence and depravity. In Fletcher's third pamphlet, investigations of
power and violence are no longer limited to the domestic and romantic.
She interrogates all dark spheres of influence: 'A word. A woman hit. A
nuclear bomb.' Language is 'consumed and mated', a 'divine bistro' that
shows her mastery over form.
With winking intelligence and playful sleaze, this pamphlet is a circus
of swans, slapped faces, and the snottiest, most expensive delicacy in
the world.