Magical realism was one of the most significant literary developments in
the last century. It has become synonymous with the seductive fictions
of writers such as Gabriel García Márquez, Salman Rushdie, Toni
Morrison, Ben Okri, Jeanette Winterson and Peter Carey. However, the
genre has also become known for its theoretical indeterminacy. In fact,
exoticist speculation, inspired by the links between magical realist
literature and the world's cultural or political margins, has thrown the
category into critical disrepute.
This book rescues magical realism from misreadings and misdemeanours,
tracing the historical development of the literary genre and analysing
an original spectrum of magical realist texts from Latin America,
Africa, India, Canada, the US, the UK and Australia. It asks such
questions as: How did magical realism come to take over the world? What
is the nature of its allure? Also, how does the marginal status of its
authors inform the genre? Does magical realism have a political
agenda?
This book uses postcolonial theory to investigate notions of cultural
identity and post-structural theory to examine the narrative strategies
of magical realism, presenting a comprehensive historical and
theoretical overview of the genre and a politically urgent argument
about its subversive potentialities.