Since the lyric beginnings of Polish poetry, writers have been burdened
with duties typically delegated to politicians, soldiers, priests, or
journalists. The political, social, and cultural changes of the last
decade have allowed Polish poets to cast off these burdens, and focus
instead on individual expression and varied aesthetic movements*.
Carnivorous Boy Carnivorous Bird* focuses on the core group of this
movement--poets born between 1958 and 1969.
. . . in a constant confusion of mystification and authenticity,
distance and directness, representational skepticism and mimetic
euphoria, game-playing and honesty, the poets presented here perform
their informal, singular duties towards language and the human
condition.--from the introduction by Marcin Baran