Carl Andre (born 1935), is among the foremost exponents of minimalism.
Although best known for his grid-based floor sculptures, his output is
diverse, encompassing large, outdoor public artworks and small
sculptures, poetry and installations.
Alistair Rider explores the full range of Andre's ideas and materials
extending from his controversial configurations of bricks to numerous
metals, wood and even hay bales. Rider shows how Andre, fascinated by
the raw materiality of things in the everyday world, transforms them
into sites of contemplation and aethetic focus.