Cane, Corn & Gulley is a genealogical and autobiographical collection
which unites dance and poetry to observe, question and ruminate on what
it means to adopt, perform, and pass down the notion of black West
Indian femininity. Using labanotation and rhythm to analyse movement
from Caribbean dances to movements carried out in everyday rituals,
Kinshasa uses these motifs as a form of cartography for the poems.
Cane, Corn & Gulley interrogates survival, sexual exploitation, race,
gender, and class and invests in a unique discourse on the violence
inflicted on the black female body (historically and presently). It
explores the meaning of movement in oppressive ideological structures
and serves to vindicate the rebellious acts of black women past, present
and yet to come.