Camera Lyrica navigates the intersection between realism and naturalism,
locating moment by moment--the only way it can--the artful, necessary,
and always mysterious transformation that occurs between the perceiver
and perceived. Amy Newman's subjects range from Audubon's drive for
precision, Michelangelo's unfinished Pietá, Darwin and forty-year old
Barbie, to a meditation on the diversity of Type itself. With grace and
dexterity, her intelligent eye dips into Catholic Mysteries, and the
quiet but momentous domesticity of a backyard quince tree. Hers is a
language both lush and spare, as she filters it and the world through a
lucid imagination, transforming both into something beautiful,
challenging, and wholly new.