This is the journal of Joe Necchi, a junkie living on a barge that plies
the rivers and bays of New York. Joe's world is the half-world of drugs
and addicts -- the world of furtive fixes in sordid Harlem apartments,
of police pursuits down deserted subway stations. Junk for Necchi,
however, is a tool, freely chosen and fully justified; he is Cain, the
malcontent, the profligate, the rebel who lives by no one's rules but
his own. Like DeQuincey and Baudelaire before him, Trocchi's muse was
drugs. But unlike his literary predecessors, in his roman a clef,
Trocchi never romanticizes the source of his inspiration. If the
experience of heroin, of the "fix," is central to Cain's Book, both its
destructive force and the possibilities for creativity it creates are
recognized and accepted without apology.
"Cain's Book is the classic late-1950s account of heroin addiction. . .
. An un-self-forgiving existentialism, rendered with writerly exactness
and muscularity, set this novel apart from all others of the genre." --
William S. Burroughs