Echoing a narrative line that includes Kurt Vonnegut and Joseph Heller,
William Giraldi's Busy Monsters has been hailed as one of the most
exciting fiction debuts in years. Penned with a linguistic bravado that
explores the diaphanous line between fiction and fact, this "very funny,
very inventive début novel" (The New Yorker) has at last revived the
great American picaresque tradition.