The 41 poems in Bumper Cars do not spare the reader, as a mother might
spare a child. They spare the reader the possibility of not experiencing
the lives, love, opportunity, disappointment, war and peace that they
describe. Athol Williams peels the skin off South Africa and walks us up
and around its body, commenting on each protuberance and explaining or
questioning its function. An energy pervades this book, a raw, shocking
energy. In an age when intellectual robots are in danger of taking over
the world of poetry, here's something hauntingly different, something
savage and visceral and human, a cry we cannot ignore.