The American theater was not ignorant of the developments brought on by
World War II, and actively addressed and debated timely, controversial
topics for the duration of the war, including neutrality and
isolationism, racism and genocide, and heroism and battle fatigue.
Productions such as Watch on the Rhine (1941), The Moon is Down
(1942), Tomorrow the World (1943), and A Bell for Adano (1944)
encouraged public discussion of the war's impact on daily life and
raised critical questions about the conflict well before other forms of
popular media.
American drama of the 1940s is frequently overlooked, but the plays
performed during this eventful decade provide a picture of the rich and
complex experience of living in the United States during the war years.
McLaughlin and Parry's work fills a significant gap in the history of
theater and popular culture, showing that American society was more
divided and less idealistic than the received histories of the WWII home
front and the entertainment industry recognize.