A collection of essays which explore the cultural background and
creative evolution of this once-overlooked work.
This volume is based on a selection of papers presented during a study
course devoted to Gloriana held at the Britten-Pears School for Advanced
Musical Studies in 1991.
Glorianahas been a source of controversy since its première as part of
the Coronation celebrations in 1953. It was planned as a national opera
of broad appeal by its authors, Benjamin Britten and William Plomer,
but, despite wide coverage in the media, the opera failed toestablish
itself in the repertoire until a new production in 1966 revealed it to
be a powerful and stageworthy work. In recent years it has attracted an
increasing amount of scholarly attention.
This volume offers essays byROBERT HEWISON, PHILIP REED, ANTONIA MALLOY,
DONALD MITCHELL and PETER EVANS which explore the opera's cultural
background, the early stages of its creative evolution, the first
critical responses, and various aspects of the workitself: these are
supplemented by a list of source materials for the opera and the works
derived from it, and an extensive bibliography.