A crucial year in the Britten/Auden relationship, which reshaped and
redefined artistic direction in the immediate pre-war period.
Benjamin Britten and W.H. Auden were key figures of the 1930s, and here
Donald Mitchell traces their lives during one crucial year, 1936. They
worked hard to establish themselves, first through the GPO film unit, in
a collaboration which flowered and spilled over into the theatre, and
then radio - a new medium that the liveliest creative minds of the time
were exploring and exploiting.
Britten and Auden also joined forces in works destined for the recital
room and concert hall, among them Our Hunting Fathers, the political
symbolism of which Donald Mitchell examines in depth, and On the Island,
settings of early Auden that comprised Britten's first important set of
songs to English texts. Much use is made of Britten's private diaries,
which he kept on a daily basis, and a revealing portrait emerges of the
two men's relationship, of their work together in many different fields,
and of the reflection within that work of political ideas current at the
time.
DONALD MITCHELL was Britten's close friend and publisher from 1964 until
the end of the composer's life, and his authorised biographer. The T S
Eliot Memorial Lectures delivered in 1979