The recent turn to political and historical readings of Romanticism has
given us a more complex picture of the institutional, cultural and
sexual politics of the period. There has been a tendency, however, to
confine such study to the European scene. In this book, Nigel Leask sets
out to study the work of Byron, Shelley and De Quincey (together with a
number of other major and minor Romantic writers, including Robert
Southey and Tom Moore) in relation to Britain's imperial designs on the
'Orient'. Combining historical and theoretical approaches with detailed
analyses of specific works, it examines the anxieties and instabilities
of Romantic representations of the Ottoman Empire, India, China and the
Far East. It argues that these anxieties were not marginal but central
to the major concerns of British Romantic writers. The book is
illustrated with a number of engravings from the period, giving a visual
dimension to the discussion of Romantic representations of the East.