This volume draws a map of British film culture in the 1970s and
provides a wide-ranging history of the period. It examines the
cross-cultural relationship between British cinema and other media,
including popular music and television. The analysis covers mainstream
and experimental film cultures, identifying their production contexts
and the economic, legislative and censorship constraints on British
cinema throughout the decade.The essays in Part I contextualise the
study and illustrate the diversity of 1970s moving image culture. In
Part II, Sue Harper and Justin Smith examine how gender relations and
social space were addressed in film. They show how a shared visual
manner and performance style characterises this fragmented cinema, and
how irony and anxiety suffuse the whole film culture. This volume charts
the shifting boundaries of permission in 1970s film culture and changes
in audience taste.This book is the culmination of an AHRC-funded project
at the University of Portsmouth, For more information about '1970s
British Cinema, Film and Video: Mainstream and Counter-Culture'
(2006-2009) please visit the project website at www.1970sproject.co.uk.