In this 1976 introduction to Brecht's theatre and theory, Ronald Gray
explores the dramatist's interacting roles as a committed Marxist
seeking to influence audiences and as one of the most innovative
craftsmen ever to work in the theatre. Dr Gray traces the development of
Brecht's dramatic work in the context of his life and time and discussed
its significance, devoting chapters to reappraisals of the major plays.
Particular attention is paid to Brecht's dramatic theories and their
relationship to Hegelian and Marxist philosophy, to the tradition of
political theatre in Germany in the nineteenth and twentieth centuries
and to the influence Brecht had on English and American post-war drama.
There are also detailed accounts of how many of the plays appeared in
Brecht's own productions, and frequent references to actual performances
in widely differing theatrical styles.