This volume offers a major selection of Bertolt Brecht's groundbreaking
critical writing. Here, arranged in chronological order, are essays from
1918 to 1956, in which Brecht explores his definition of the Epic
Theatre and his theory of alienation-effects in directing, acting, and
writing, and discusses, among other works, The Threepenny Opera,
Mahagonny, Mother Courage, Puntila, and Galileo. Also included is A
Short Organum for the Theatre, Brecht's most complete exposition of his
revolutionary philosophy of drama.
Translated and edited by John Willett, Brecht on Theater is essential
to an understanding of one of the twentieth century's most influential
dramatists.