Brecht was never inclined to see any of his plays as completely
finished, and this volume collects some of the most important theatrical
projects and fragments that were always to remain 'works in progress'.
Offering an invaluable insight into the writer's working methods and
practices, the collection features the famous Fatzer as well as The
Bread Store and Judith of Shimoda, along with other texts that have
never before been available in English.
Alongside the familiar, 'completed' plays, Brecht worked on many ideas
and plans which he never managed to work up even once for print or
stage. In pieces like Fleischhacker, Garbe/Büsching and Jacob
Trotalong we see how such projects were abandoned or interrupted or
became proving grounds for ideas and techniques. The works collated here
span over thirty years and allow the reader to follow Brecht's creative
process as he constantly revised his work to engage with new contexts.
This treasure-trove of new discoveries is also annotated with
dramaturgical notes to present readable and useable texts for the
theatre.
The volume is edited by Tom Kuhn and Charlotte Ryland, with the
translation and dramaturgical edition of each play provided by a team of
experienced writers, scholars and translators.