A bold new interpretation of two northern Renaissance masters
In this visually stunning and much anticipated book, acclaimed art
historian Joseph Koerner casts the paintings of Hieronymus Bosch and
Pieter Bruegel in a completely new light, revealing how the painting of
everyday life was born from what seems its polar opposite: the depiction
of an enemy hell-bent on destroying us.
Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch
embodies the phantasmagorical force of painting, while Bruegel, through
his true-to-life landscapes and frank depictions of peasants, is the
artistic avatar of the familiar and ordinary. But despite their
differences, the works of these two artists are closely intertwined.
Bruegel began his career imitating Bosch's fantasies, and it was Bosch
who launched almost the whole repertoire of later genre painting. But
Bosch depicts everyday life in order to reveal it as an alluring trap
set by a metaphysical enemy at war with God, whereas Bruegel shows this
enemy to be nothing but a humanly fabricated mask. Attending closely to
the visual cunning of these two towering masters, Koerner uncovers art
history's unexplored underside: the image itself as an enemy.
An absorbing study of the dark paradoxes of human creativity, Bosch and
Bruegel is also a timely account of how hatred can be converted into
tolerance through the agency of art. It takes readers through all the
major paintings, drawings, and prints of these two unforgettable
artists--including Bosch's notoriously elusive Garden of Earthly
Delights, which forms the core of this historical tour de force.
Elegantly written and abundantly illustrated, the book is based on
Koerner's A. W. Mellon Lectures in the Fine Arts, a series given
annually at the National Gallery of Art, Washington.
Published in association with the Center for Advanced Study in the
Visual Arts, National Gallery of Art, Washington, DC