A decade after the sudden and tragic loss of his father, we witness the
unfolding of grief. "In the night I brush / my teeth with a razor," he
tells us, in one of the collection's piercing two-line poems. Capturing
the strange silence of bereavement ("Not the storm / but the calm / that
slays me"), Kevin Young acknowledges, even celebrates, life's passages,
his loss transformed and tempered in a sequence about the birth of his
son: in "Crowning," he delivers what is surely one of the most powerful
birth poems written by a man, describing "her face / full of fire, then
groaning your face / out like a flower, blood-bloom, / crocused into
air." Ending this book of both birth and grief, the gorgeous title
sequence brings acceptance, asking "What good/are wishes if they aren't
/ used up?" while understanding "How to listen / to what's gone."
Young's frank music speaks directly to the reader in these elemental
poems, reminding us that the right words can both comfort us and enlarge
our understanding of life's mysteries.