Renowned for his groundbreaking Beat Generation novel On the Road, Jack
Kerouac was also a master of the haiku, the three-line,
seventeen-syllable Japanese poetic form. Following in the tradition of
Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with
this centuries-old genre, taking it beyond strict syllable counts into
what he believed was the form's essence. He incorporated his 'American'
haiku in novels and in his correspondence, notebooks, journals,
sketchbooks, and recordings. In this edition, Kerouac scholar Regina
Weinreich has supplemented a core haiku manuscript from Kerouac's
archives with a generous selection of the rest of his haikus, from both
published and unpublished sources. The result is a compact collection of
more than five hundred poems that reveal a lesser known but important
side of Jack Kerouac's literary legacy.