Black Sea Sketches is a portrait of some of the diverse musical
cultures surrounding the Black Sea and in its hinterlands. Its six
separate chapters follow a very broad trajectory from close-ups of
traditional music (chapters 1-4) towards wide-angle studies of art music
(chapters 5-6), and each of them opens windows to big, border-crossing
themes about music and place. A wide variety of repertoires is
discussed: ancient layers of polyphonic music, bardic songs, traditional
music from the coasts and mountains, the sacred music of Islam and
Orthodox Christianity, the art music of Europe and West Asia, and
present-day popular music 'scenes'. The usual practice is for each
chapter to begin with a Black Sea coastal location before reaching out
into the hinterlands. The result is a collection of six relatively
discrete essays on different locations and topics, but with underlying
thematic continuities, and offering a wide-ranging commentary on
cultural difference. Firmly grounded in ethnographic and documentary
research, this is an important study for scholars and researchers of
Ethnomusicology, as also of Caucasian and Russian/East European Studies.