A bold rethinking of the Civil Rights Movement through the lens of
Black theater
"Freedom, Now!" This rallying cry became the most iconic phrase of the
Civil Rights Movement, challenging the persistent command that Black
people wait--in the holds of slave ships and on auction blocks, in
segregated bus stops and schoolyards--for their long-deferred
liberation.
In Black Patience, Julius B. Fleming Jr. argues that, during the Civil
Rights Movement, Black artists and activists used theater to energize
this radical refusal to wait. Participating in a vibrant culture of
embodied political performance that ranged from marches and sit-ins to
jail-ins and speeches, these artists turned to theater to unsettle a
violent racial project that Fleming refers to as "Black patience."
Inviting the likes of James Baldwin, Lorraine Hansberry, Alice
Childress, Douglas Turner Ward, Duke Ellington, and Oscar Brown Jr. to
the stage, Black Patience illuminates how Black artists and activists
of the Civil Rights era used theater to expose, critique, and repurpose
structures of white supremacy. In this bold rethinking of the Civil
Rights Movement, Fleming contends that Black theatrical performance was
a vital technology of civil rights activism, and a crucial site of Black
artistic and cultural production.