The first publication of the unknown poetry of a major
twentieth-century sculptor
In 1955, long before he became famous for his abstract metal sculptures,
John Chamberlain lived at Black Mountain College, writing poetry
alongside Robert Creeley, Robert Duncan, and Charles Olson. By the time
he moved to New York City in 1956 and began to develop his unique
sculptural style, Chamberlain had completed a series of poems with
marginal comments by Olson and himself, but the work remained
unpublished and unknown--until now. In Black Mountain Chamberlain,
Julie Sylvester presents a facsimile of this fascinating typescript
along with an introduction based on interviews conducted with
Chamberlain in the 1980s, conversations in which he described the strong
connections between the poems and his later work.
At first glance, Chamberlain's delicate and quiet poems appear to be the
antithesis of his bold and brash sculpture. But in the introduction
Chamberlain says that in fact the way he made poems at Black Mountain
influenced the way he made sculptures throughout his career: "It's
actually doing things in the same way, with words or with metal. It's
all in the fit."
Beautifully produced, Black Mountain Chamberlain reveals a remarkable
and unexpected new side of an important twentieth-century artist.
Distributed for Edition Julie Sylvester